Freelance Colorist
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Course Materials | Alternative Option 2
03 Create a New Database for FCM
04 Importing Projects in the FCM Data...
05 How FCM Projects are set up in Res...
06 Footage Rules
INTRODUCTION
01 Welcome to FCM
02 What to expect from FCM
03 FCM Overview
04 Take Notes
05 Private Group Access
06 My Contact Info
FCM Discounts & Perks
Discount Coupons
How to get 30%OFF on FilmConvert
How to get 10%OFF on DaVinci Resolve
How to get 40%OFF on Shotdeck
Affiliate Opportunity
Crash Course for Colorists
01 Must Watch Before the Modules
02 The Crash Course for Colorists
DaVinci Resolve 17 - WHAT'S NEW
Cut Page - Live Preview
Cut Page - Safe Area
Cut Page - Timeline Resolution
Cut Page - Smart Reframe
Cut Page - Quick Export
Edit Page - Detect Scene Cuts
DaVinci Color Science
RCM Presets
Node Numbering
Custom Curves Window Expansion
New Scopes
HDR Palette
Primaries Palette
Color Warper
Sat vs Lum Curve
New Features Tutorial
10 Tips to Grade 10x Faster in DaVinci Resolve
01 Pre-Conformed EDL
02 SOCP
03 Scopes
04 Powergrade
05 Vectors
06 Remote Grading
07 Active Playheads
08 Shared Node
09 Neighboring Clips
10 Keyboard Shortcuts
Resolve Overview for Colorists
Media Page Overview
Edit Page Overview
Color Page Overview
Deliver Page Overview
Module 1: CONFORM
01 Most Common Ways to Conform
02 NLE to Resolve Timeline Prep - Rou...
03 Conforming Camera Original Footage...
04 Round Trip Method 1
05 Round Trip Method 2
06 Colored Footage from Resolve to NLE
07 NLE to Resolve Timeline Prep - Bak...
08 Bake and Blade Method 1
09 Bake and Blade Method 2
10 Conforming Transcoded Footage - Ro...
11 Music Video - Bake and Blade
12 Bake and Blade Advanced Tips
13 Pre-conformed EDL
14 Color Trace
15 Recap
16 Conclusion and Recommendations
17 Exercise
DaVinci Resolve NODES 101
Serial Node
Layer Mixer
Parallel Mixer
Outside Node
Key Mixer
Shared Node
Timeline Node
Master DaVinci Resolve Node Tree
Module 2: CAMERAS
01 Intro
02 Camera Lineup
03 Camera Cheat Sheet
04 How to Install LUTs
Camera + Creative LUTs
05 Project Overview
06 Pre-Grading Prep
07 Alexa Mini
08 RED Dragon
09 Canon C200
10 Panasonic GH5
11 BMPCC 4K
12 Sony a6500
13 DJI Inspire 1
14 Camera Ranking
15 Recap
16 Conclusion and Recommendations
17 Exercise
Sample Footage from ARRI's Website
Sample Footage from RED's Website
Sample Footage from BMD's Website
Module 3: COLOR CORRECTION
01 Why You Must Know Color Correction
02 Color Correction vs Color Grading
03 Project Overview
04 Make it Pop
05 Understanding Scopes
06 Proper White Balance
07 Proper Exposure
08 Analyzing Images for Color Correction
09 What is a Lookbook?
10 Take Notes
11 People
12 Landscape
13 Products
14 Rec.709
15 Recap
16 Conclusion and Recommendations
17 Exercise
Module 4: SHOT MATCHING
01 What is Shot Matching?
02 Why You Must Know Shot Matching
03 How to Get Better at Shot Matching
04 Project Overview
05 Necessary Tools for Shot Matching
06 Gallery Stills/ Memories
07 Split Screen
08 Group Clips
09 Local Vs Remote Grades
10 Lightbox - Send to SDI
11 Take Notes
12 Same Camera
13 Blind Date
14 Hypesandwich
15 Different Cameras
16 The Great Ride
17 The Qazman
18 Recap
19 Conclusion and Recommendations
20 Exercise
Module 5: COLOR GRADING
01 What is Color Grading?
02 Why You Must Know Color Grading
03 What You Will Get Out of This Module
04 Million $ Tips on Color Grading pt1
05 Million $ Tips on Color Grading pt2
06 Analyze Footage
07 Project Overview
08 Generic Grading Lookbook
09 Most Used Tools for Grading
10 Commercials & Music Videos
11 Adidas
12 Holiday Season
13 Oakley
14 Girls Have Fun
15 I'm The One
16 Hollywood Looks
17 Hobbs & Shaw / John Wick
18 La La Land
19 Sicario
20 Atomic Blonde
21 Old School Hollywood Looks
22 Film Looks using LUTs
23 Recap
24 Conclusion and Recommendations
25 Exercise
Film Look Secrets
Film Look Secrets - Course Materials
Film Look Secrets
Advanced Film Emulation Process
How to Properly Use Resolve's Film LUTs
How to Create Halation & Texture
Best Practices for Film Emulation
Intro to HDR Ready Workflow
01 Hollywood's Most Popular FPE
02 Project Set Up
03 Setting Up Scopes Like a Pro
04 Custom Techniques to Stress Testin...
05 Future Proof LUTs for HDR & ACES W...
06 Balance Footage in Seconds with Pr...
07 HDR Ready Node Tree
08 Exporting Dolby Vision Trim for Ne...
09 Pro Tip when Saving a Powergrade
ACES for Beginners
01 What is ACES?
02 Why was ACES developed?
03 ACES Characteristics
04 ACES 2065-1 vs ACEScct
05 ACEScc vs ACEScct
06 ACES solution for Film Negative
07 Why Netflix is switching to ACES?
08 How to set up your project in ACES?
09 How to grade your footage in ACES?
Practice Footage - Download Link
Module 6: STUDIO SETUP
01 What Makes a Grading Studio
02 Why You Need a Grading Studio
03 Bare Minimum
04 Research Tools
05 What to Expect From This Module
06 Broke
07 Comeup
08 Baller
09 System Optimization Hacks
10 Delivery Settings
11 Remote Grading
12 Grading Studio Paint Color Recomme...
13 Productivity Apps
14 Freebies
15 Recap
16 Conclusion and Recommendations
17 Exercise
Module 8: BONUS
Bonus Download Guide
Course Materials | Download First
Balance the Footage using Scopes
Clean White Look
Perfect Skin Tones from Sony S-Log 8-...
Creamy Film Look
Gamma Shift Fix
Best Export Settings for Web
How to Import Shotdeck Stills in Resolve
How to Work Remotely
Minimum System Requirements
Do I Need Resolve Studio?
Color Trace
Module 7: FREELANCE
01 What to Expect From This Module
02 Why You Should Consider Freelancing
03 What It Takes to Become a Freelancer
04 Is Freelancing For You?
05 Dos And Don'ts of Freelancing
06 Steps to Becoming Employable - Dem...
07 Steps to Becoming Employable - Web...
08 Steps to Becoming Employable - Soc...
09 What It Takes to Get Hired - Advic...
10 What It Takes to Get Hired - Be Bu...
11 What It Takes to Get Hired - Resou...
12 How to Get Paid Through Social Media
13 How to Get Paid Through Social Med...
14 How to Get Paid Through Social Med...
15 How to Get Paid Through Social Med...
16 High-End Client Strategies
17 High-End Client Strategies - Colla...
18 High-End Client Strategies - Offer...
19 High-End Client Strategies - Work ...
20 High-End Client Strategies - Ask F...
21 FAQs
22 FAQs - How Do I Get Clients?
23 FAQs - How Much Should I Charge Fo...
24 FAQs - How Do I Start Freelancing?
25 FAQs - How Do I Prep an Invoice
26 FAQs - How Do I Negotiate a Rate?
27 FAQs - Should I Work With an Agency?
28 FAQs - How Do I Deal With Difficul...
29 FAQs - When Should I Charge My Cli...
30 FAQs - How Do I Build a Rolodex?
31 The Final Nugget
Module 9: YOUTUBE
YouTube Download Guide
How to get the JOKER look Part 1
How to get the John Wick look
Juice it up | Commercial vs. Film Gra...
How to get the James Bond look
Grading YOUR Footage Planet X
How to get the PARASITE look
Module 10: PROFESSIONAL WORK
XXIO - TV COMMERCIAL
XXIO - How to get the Commercial look
LAZEM - MUSIC VIDEO
LAZEM - How to get the Music Video look
Life on the Line - DOCUMENTARY
LIFE ON THE LINE - How to get the Doc...
Products
Course
Section
Lesson
04 ACES 2065-1 vs ACEScct
04 ACES 2065-1 vs ACEScct
Freelance Colorist
Buy now
Learn more
Course Materials - Download First
Download Guide
Read Me - Course Materials
Course Materials
Course Materials | Alternative Option
Course Materials | Alternative Option 2
03 Create a New Database for FCM
04 Importing Projects in the FCM Data...
05 How FCM Projects are set up in Res...
06 Footage Rules
INTRODUCTION
01 Welcome to FCM
02 What to expect from FCM
03 FCM Overview
04 Take Notes
05 Private Group Access
06 My Contact Info
FCM Discounts & Perks
Discount Coupons
How to get 30%OFF on FilmConvert
How to get 10%OFF on DaVinci Resolve
How to get 40%OFF on Shotdeck
Affiliate Opportunity
Crash Course for Colorists
01 Must Watch Before the Modules
02 The Crash Course for Colorists
DaVinci Resolve 17 - WHAT'S NEW
Cut Page - Live Preview
Cut Page - Safe Area
Cut Page - Timeline Resolution
Cut Page - Smart Reframe
Cut Page - Quick Export
Edit Page - Detect Scene Cuts
DaVinci Color Science
RCM Presets
Node Numbering
Custom Curves Window Expansion
New Scopes
HDR Palette
Primaries Palette
Color Warper
Sat vs Lum Curve
New Features Tutorial
10 Tips to Grade 10x Faster in DaVinci Resolve
01 Pre-Conformed EDL
02 SOCP
03 Scopes
04 Powergrade
05 Vectors
06 Remote Grading
07 Active Playheads
08 Shared Node
09 Neighboring Clips
10 Keyboard Shortcuts
Resolve Overview for Colorists
Media Page Overview
Edit Page Overview
Color Page Overview
Deliver Page Overview
Module 1: CONFORM
01 Most Common Ways to Conform
02 NLE to Resolve Timeline Prep - Rou...
03 Conforming Camera Original Footage...
04 Round Trip Method 1
05 Round Trip Method 2
06 Colored Footage from Resolve to NLE
07 NLE to Resolve Timeline Prep - Bak...
08 Bake and Blade Method 1
09 Bake and Blade Method 2
10 Conforming Transcoded Footage - Ro...
11 Music Video - Bake and Blade
12 Bake and Blade Advanced Tips
13 Pre-conformed EDL
14 Color Trace
15 Recap
16 Conclusion and Recommendations
17 Exercise
DaVinci Resolve NODES 101
Serial Node
Layer Mixer
Parallel Mixer
Outside Node
Key Mixer
Shared Node
Timeline Node
Master DaVinci Resolve Node Tree
Module 2: CAMERAS
01 Intro
02 Camera Lineup
03 Camera Cheat Sheet
04 How to Install LUTs
Camera + Creative LUTs
05 Project Overview
06 Pre-Grading Prep
07 Alexa Mini
08 RED Dragon
09 Canon C200
10 Panasonic GH5
11 BMPCC 4K
12 Sony a6500
13 DJI Inspire 1
14 Camera Ranking
15 Recap
16 Conclusion and Recommendations
17 Exercise
Sample Footage from ARRI's Website
Sample Footage from RED's Website
Sample Footage from BMD's Website
Module 3: COLOR CORRECTION
01 Why You Must Know Color Correction
02 Color Correction vs Color Grading
03 Project Overview
04 Make it Pop
05 Understanding Scopes
06 Proper White Balance
07 Proper Exposure
08 Analyzing Images for Color Correction
09 What is a Lookbook?
10 Take Notes
11 People
12 Landscape
13 Products
14 Rec.709
15 Recap
16 Conclusion and Recommendations
17 Exercise
Module 4: SHOT MATCHING
01 What is Shot Matching?
02 Why You Must Know Shot Matching
03 How to Get Better at Shot Matching
04 Project Overview
05 Necessary Tools for Shot Matching
06 Gallery Stills/ Memories
07 Split Screen
08 Group Clips
09 Local Vs Remote Grades
10 Lightbox - Send to SDI
11 Take Notes
12 Same Camera
13 Blind Date
14 Hypesandwich
15 Different Cameras
16 The Great Ride
17 The Qazman
18 Recap
19 Conclusion and Recommendations
20 Exercise
Module 5: COLOR GRADING
01 What is Color Grading?
02 Why You Must Know Color Grading
03 What You Will Get Out of This Module
04 Million $ Tips on Color Grading pt1
05 Million $ Tips on Color Grading pt2
06 Analyze Footage
07 Project Overview
08 Generic Grading Lookbook
09 Most Used Tools for Grading
10 Commercials & Music Videos
11 Adidas
12 Holiday Season
13 Oakley
14 Girls Have Fun
15 I'm The One
16 Hollywood Looks
17 Hobbs & Shaw / John Wick
18 La La Land
19 Sicario
20 Atomic Blonde
21 Old School Hollywood Looks
22 Film Looks using LUTs
23 Recap
24 Conclusion and Recommendations
25 Exercise
Film Look Secrets
Film Look Secrets - Course Materials
Film Look Secrets
Advanced Film Emulation Process
How to Properly Use Resolve's Film LUTs
How to Create Halation & Texture
Best Practices for Film Emulation
Intro to HDR Ready Workflow
01 Hollywood's Most Popular FPE
02 Project Set Up
03 Setting Up Scopes Like a Pro
04 Custom Techniques to Stress Testin...
05 Future Proof LUTs for HDR & ACES W...
06 Balance Footage in Seconds with Pr...
07 HDR Ready Node Tree
08 Exporting Dolby Vision Trim for Ne...
09 Pro Tip when Saving a Powergrade
ACES for Beginners
01 What is ACES?
02 Why was ACES developed?
03 ACES Characteristics
04 ACES 2065-1 vs ACEScct
05 ACEScc vs ACEScct
06 ACES solution for Film Negative
07 Why Netflix is switching to ACES?
08 How to set up your project in ACES?
09 How to grade your footage in ACES?
Practice Footage - Download Link
Module 6: STUDIO SETUP
01 What Makes a Grading Studio
02 Why You Need a Grading Studio
03 Bare Minimum
04 Research Tools
05 What to Expect From This Module
06 Broke
07 Comeup
08 Baller
09 System Optimization Hacks
10 Delivery Settings
11 Remote Grading
12 Grading Studio Paint Color Recomme...
13 Productivity Apps
14 Freebies
15 Recap
16 Conclusion and Recommendations
17 Exercise
Module 8: BONUS
Bonus Download Guide
Course Materials | Download First
Balance the Footage using Scopes
Clean White Look
Perfect Skin Tones from Sony S-Log 8-...
Creamy Film Look
Gamma Shift Fix
Best Export Settings for Web
How to Import Shotdeck Stills in Resolve
How to Work Remotely
Minimum System Requirements
Do I Need Resolve Studio?
Color Trace
Module 7: FREELANCE
01 What to Expect From This Module
02 Why You Should Consider Freelancing
03 What It Takes to Become a Freelancer
04 Is Freelancing For You?
05 Dos And Don'ts of Freelancing
06 Steps to Becoming Employable - Dem...
07 Steps to Becoming Employable - Web...
08 Steps to Becoming Employable - Soc...
09 What It Takes to Get Hired - Advic...
10 What It Takes to Get Hired - Be Bu...
11 What It Takes to Get Hired - Resou...
12 How to Get Paid Through Social Media
13 How to Get Paid Through Social Med...
14 How to Get Paid Through Social Med...
15 How to Get Paid Through Social Med...
16 High-End Client Strategies
17 High-End Client Strategies - Colla...
18 High-End Client Strategies - Offer...
19 High-End Client Strategies - Work ...
20 High-End Client Strategies - Ask F...
21 FAQs
22 FAQs - How Do I Get Clients?
23 FAQs - How Much Should I Charge Fo...
24 FAQs - How Do I Start Freelancing?
25 FAQs - How Do I Prep an Invoice
26 FAQs - How Do I Negotiate a Rate?
27 FAQs - Should I Work With an Agency?
28 FAQs - How Do I Deal With Difficul...
29 FAQs - When Should I Charge My Cli...
30 FAQs - How Do I Build a Rolodex?
31 The Final Nugget
Module 9: YOUTUBE
YouTube Download Guide
How to get the JOKER look Part 1
How to get the John Wick look
Juice it up | Commercial vs. Film Gra...
How to get the James Bond look
Grading YOUR Footage Planet X
How to get the PARASITE look
Module 10: PROFESSIONAL WORK
XXIO - TV COMMERCIAL
XXIO - How to get the Commercial look
LAZEM - MUSIC VIDEO
LAZEM - How to get the Music Video look
Life on the Line - DOCUMENTARY
LIFE ON THE LINE - How to get the Doc...
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